

HOTEL SAN DOMENICO (SALA COLAZIONI)
h 6.00 PM
DURATION TBD
EN
To what extent is the factory-system capable of shaping our most intimate thoughts and altering our habits without our awareness? And how far does the body itself become an extension of the labour it performs?
“The system has to regulate human behaviour closely in order to function.” (Industrial Society and Its Future – Theodore John Kaczynski)
Through a performative research into the body as social and productive matter, the work explores the physical and emotional transformation of the individual within the system. The material enters the body, moulds it, alters its posture, breath and perception. The person is thus suspended between individual identity and imposed role — between autonomy and belonging to a structure that disciplines human behaviour in order to function.

The Daughter of The Factory residency is supported by the European Festivals Fund for Emerging Artists (EFFEA), an initiative of the European Festivals Association (EFA), co-funded by the European Union.
by and with Silvia Viviani
production Gledališče Glej
Silvia Viviani (Mantua, 1988) began her theatrical training as an actress at the Accademia Teatrale Campogalliani (Mantua). Following a scholarship, she was invited to the New York State Theatre Institute (NY, USA), where she focused on musical theatre. Alongside rigorous physical and vocal training, she continued her artistic research with renowned masters such as Tage Larsen and Eugenio Barba – Odin Teatret (Denmark), Rena Mirečka – Grotowski Institute (Poland), and others including Antonio Fava, A.T.I.R. Milan, Giorgio Rossi, Paolo Nani, Matteo Spiazzi, and Giovanni Fusetti. Since 2012, Silvia has been active in Slovenia. From 2015, she has been recognized as a freelance actress by the Slovenian Ministry of Culture. Her proficiency in the Slovenian language has enabled her to participate in numerous productions with theatres and cultural associations such as Gledališče Ane Monro, Gledališče Lalanit, Mladinsko gledališče, Gledališče Glej, Il Rossetti Teatro Stabile FVG. Since 2018 she has been leading the Italian theatre group Maschere Nude at the University of Ljubljana. In recent years, Silvia has been exploring ways to actively and simultaneously utilize Italian and Slovenian in what she defines as “active bilingualism” in theatre. She has pursued this both theoretically, through curating a series of interviews entitled Palchi e ponti for the Italian Cultural Institute in Ljubljana; and practically, through the itinerant performance Dante 453, the bilingual artistic-poetic short film Kje je dom? / Casa, and the public space musical performance Parole parole / Samo besede. In June 2025 Silvia debuts with Casa Rossa – Closer from Afar, an original and immersive performance exploring the history of the Italo-Yugoslav border, supported by GO!25 European Capital of Culture.