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GOOD VIBES ONLY (the great effort)

Francesca Santamaria

DANCE, OPEN STUDIOS

Opera senza titolo
06.09

ISTITUTO DON BOSCO
6:00PM
DURATION 15′

ITA

GOOD VIBES ONLY (the great effort) brings to the stage a body radically exposed to hyperstimulation.

A human being – inevitably a performer – acts and is acted upon in an endless scroll of viral dances: “ballets” that exploded on social media, brief fragments of iconic choreographies selected live from a constantly evolving archive built around the concepts of “trend” and “craze.”

What emerges is an unstable body-catalogue, a surface that scrolls and is scrolled, a battlefield between flesh and data, the visceral and the virtual.
The second chapter in the GOOD VIBES ONLY trilogy, the piece investigates scrolling as an action that reflects the essence of the present moment.

 

With the support of MiC and SIAE as part of the “Per Chi Crea” program

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IRAINSTITUTE
OSCENICA s.r.l. - Sede legale Via XX Settembre, 62 88100 CATANZARO (CZ) P.IVA 03662470792 - oscenica@pec.oscenica.it
Web Design: Studio Co-Co
Code: Carlo Mangiafesta
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Concept and performance: Francesca Santamaria

Dramaturgical collaboration: Pietro Angelini
Sound dramaturgy and live set: Ramingo
Lighting: Fabrizio Cicero
Styling: Elena Luca
Costume design: Vittorio Gargiuolo
Movement coaching: Beatrice Pozzi
Technical direction: Giovanni Di Capua
Project collaboration: Rossella Piazzese

Production: Codeduomo ETS / Perypezye Urbane ETS
Co-produced by: Romaeuropa Festival

In collaboration with: TIR Danza

With the support of: Operaestate Festival Veneto, ATCL / Spazio Rossellini
With the support of: Fondazione Teatro Comunale Città di Vicenza / Danza in Rete, Incubatore per futur_ coreograf_ CIMD 22/24

Artistic residency: DAS – Dispositivo Arti Sperimentali, Fondazione Armunia, Fondazione Teatro Comunale Città di Vicenza, Live Arts Cultures
Production residency: Carrozzerie N.o.t., Ferrara Off Teatro
Special thanks to: Balletto di Roma

Bio

Francesca Santamaria is an artist working in the field of performing arts. Her research focuses on contemporary paradigms of performance and, through body movement and its inherent physical limitations, she explores and reflects on the very notion of what it means to be performant.


Her works have been presented in a range of contexts, including Vetrina della giovane danza d’autore XL, Romaeuropa Festival, B.Motion – Operaestate, Contemporanea Festival, MILANoLTRE, and Danza in Rete.