









ISTITUTO DON BOSCO (COURTYARD)
H 7.30 PM
DURATION 40′
EN
To my beloved sister Carla.
To all our sisters.
We will meet again, where land and water meet.
Nico, Desertshore is a dance concert inspired by the music, voice and universe of Christa Päffgen, known as Nico. The tracks from her cult album Desertshore (1970) compose the sonic score of the performance, in which the dancers’ bodies and voices give shape to a dense, restless visual landscape, traversed by echoes of memory and poetry. Giovanfrancesco Giannini presents his new work in a site-specific, outdoor staging conceived expressly for IRA festival. Within a circular space, two figures never touch: in their gestures, a fracture with the real surfaces — an inner scar that propels them elsewhere. Immersed in a suspended dimension, they commune with their own ghosts and dance in their solitude. Time dilates into a rarefied atemporality, amplified by the sounds, noises and songs performed by Nico, drawn from Desertshore. A poetic journey through sound, memory and dance. The album Desertshore lives in absolute austerity and profound existential anguish. Its gait is that of a humanity incapable of remedying its fate; its solemnity that of a cry reaching from the depths of the centuries. The front and back covers of the album feature images from Philippe Garrel’s film La cicatrice intérieure (1971) — an uncompromising work that explains nothing and refuses every rhetoric of a conventional linear narrative.
site-specific
concept, choreography and direction Giovanfrancesco Giannini
performance Roberta Racis, Giovanfrancesco Giannini
sound environment F. De Isabella
technical direction and light design Valeria Foti
photo Luca del Pia
video Pietro Di Francesco
touring technician Lud Sciannamblo
production, management and distribution Körper | Centro Nazionale di Produzione della danza
with the support of Le Alleanze dei Corpi – ZEIT, IRA Institute
with the support of Residenze NAOcrea 2025 – Arte, territorio e partecipazione – Ariella Vidach Aiep
created as part of the Lavanderia a Vapore choreographic residency project. With the support of Operaestate/CSC Centro di Residenza del Veneto – Vene.Re and SIAE
Giovanfrancesco Giannini is a dancer and choreographer based in Italy. Since 2021 he has been a supported and produced artist of Körper – Centro Nazionale di Produzione della danza. His practice reflects in particular on the politics of images in relation to choreography and the performing arts. In his research, choreography is understood as the dynamic construction of the various elements that compose the space of action, in a dialogical relationship between the body’s mark, the image and the gaze. His studies and inspirations range across the visual arts, cinema and politics. Through art and dance he seeks tools for reading the present and opening new spaces for sharing and expression. His works have been presented at national and international theatres and festivals, including: Santarcangelo Festival, FOG Triennale Milano Performing Arts, Fabbrica Europa, CCDC Festival Hong Kong, Secret Florence, Autunno Danza, SCENA Sesc São Paulo and Teatro Grande di Brescia. In 2019 he was among the recipients of the Crossing The Sea call; in 2020 he was among the Italian artists selected for CRISOL – creative processes, Boarding Pass Plus. His first work CLOUD (2022) was selected for NID Platform – open studios 2021 and Tanzmesse – open studios 2022. In 2023/24 he was among the artists supported by R.O.M – Residencies On the Move, Creative Europe, with the project Vanitas (2024).